Exhibitions | Bibliography | Publications | Grants and Awards | Public Collections Hewitt is an extremely talented, energetic and physical printmaker. He cannot sit still and is compelled to work, to draw and carve. For Hewitt, the process of beginning and developing an image and the collaborative nature of printmaking, are what make the medium so appealing. Hewitt's work complements the collection at the Bates College Museum of Art because it is critically and historically important, particularly for a teaching museum with a collection focusing on prints.
From The Graphic Work of Charlie Hewitt
by Mark H.C. Bessire |
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| 2001 | Art on Paper, “Working Proof,” page 73. |
| 2000 | Catalogue, Lasting Impressions, Portland Museum, by Bruce Brown |
| 1997 | Catalogue, Vinalhaven Press, Portland Museum, by April Galant |
| 1994 | Catalogue, Paula Paulette Fine Art, by David Becker |
| 1992 | Catalogue, One Press, Multiple Impressions |
| Bowdoin College Museum Of Art, Brunswick, Maine, by David Becker | |
| On the Edge, Maine Coast Artists, Rockport Maine, by Theodore Wolff | |
| 1989 | Catalogue, International Print Biennale, Ljubljana, Yugoslavia |
| Catalogue, Quebec Print and Paper Biennale, Alma, Quebec, Canada | |
| Contemporary Woodblock Prints, Catalogue, Jersey City Museum, Jersey City, NJ | |
| 1986 | Catalogue, Vinalhaven Press, by Margaret K. Burchenal, Portland Museum of Art, |
| Public and Private American Prints Today, Catalogue, Essay by Barry Walker | |
| 1980 | Boundary II, Moby Dick, A Portfolio of Paintings, Fall, Essay by William Spanos |